{"id":1648,"date":"2025-09-23T16:03:37","date_gmt":"2025-09-23T14:03:37","guid":{"rendered":"https:\/\/ebr.fr\/?page_id=1648"},"modified":"2026-09-07T08:42:40","modified_gmt":"2026-09-07T06:42:40","slug":"carnets-route","status":"publish","type":"page","link":"https:\/\/ebr.fr\/en\/carnets-route\/","title":{"rendered":"Carnets de route"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"1648\" class=\"elementor elementor-1648\" data-elementor-settings=\"{&quot;element_pack_global_tooltip_width&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_width_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_width_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;element_pack_global_tooltip_padding&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_padding_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_padding_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true},&quot;element_pack_global_tooltip_border_radius_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;top&quot;:&quot;&quot;,&quot;right&quot;:&quot;&quot;,&quot;bottom&quot;:&quot;&quot;,&quot;left&quot;:&quot;&quot;,&quot;isLinked&quot;:true}}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3a992f1 e-con-full e-flex e-con e-parent\" data-id=\"3a992f1\" data-element_type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-a8cd7b4 elementor-widget elementor-widget-html\" data-id=\"a8cd7b4\" data-element_type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t\t<style>\n@import url('https:\/\/fonts.googleapis.com\/css2?family=Oswald:wght@300;400;500;600&family=Raleway:wght@300;400;500;600&family=Big+Shoulders+Display:wght@600;800&display=swap');\n\n\/* ===== Frise \u00c9ditions Bourg\u00e8s R. \u2014 Rail nocturne =====================\n   Couleurs : fond bleu nuit #05152b \u00b7 dates rose vif #FF5C93\n   texte et cadres photo #d7e2ef \u00b7 titres blancs\n   Polices : Big Shoulders Display (titres) \u00b7 Oswald (dates) \u00b7 Raleway (texte)\n   -------------------------------------------------------------------- *\/\n.ebr-timeline *, .ebr-timeline *::before, .ebr-timeline *::after { box-sizing: border-box; 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height: 240px; padding: 0; line-height: 0; overflow: hidden;\n  cursor: zoom-in; border: 5px solid var(--ebr-ink); border-radius: 5px; background: transparent; transition: filter .3s ease; }\n.ebr-photo:hover { filter: brightness(1.06); }\n.ebr-photo img { display: block; height: 100%; width: auto; max-width: 100%; object-fit: contain; border-radius: 3px; transition: transform .5s ease; }\n.ebr-photo:hover img { transform: scale(1.03); }\n.ebr-photo--hero { justify-self: start; }\n\n\/* ---- Agrandissement ---- *\/\n.ebr-lightbox { position: fixed; inset: 0; z-index: 999; display: none; align-items: center; justify-content: center;\n  padding: 4vh 4vw; background: rgba(4,12,26,.94); cursor: zoom-out; }\n.ebr-lightbox.is-open { display: flex; animation: ebr-in .25s ease; }\n.ebr-lightbox__blur { position: absolute; inset: 0; background-size: cover; background-position: center; filter: blur(48px) saturate(1.3); opacity: .35; }\n.ebr-lightbox__img { max-height: 65vh; max-width: 90vw; width: auto; height: auto; object-fit: contain; display: block;\n  filter: drop-shadow(0 40px 90px rgba(0,0,0,.8)); }\n.ebr-lightbox__close { position: absolute; top: 20px; right: 22px; width: 42px; height: 42px; border-radius: 50%;\n  border: 1px solid rgba(255,255,255,.3); background: rgba(255,255,255,.08); color: #fff; font-size: 20px; cursor: pointer; }\n@keyframes ebr-in { from { opacity: 0; transform: translateY(18px); } to { opacity: 1; transform: none; } }\n\n.ebr-footer { max-width: 1080px; margin: 0 auto; padding: 40px 28px 0; text-align: center; font-size: 14px; color: #7f93aa; }\n\n@media (max-width: 700px) {\n  .ebr-carnet, .ebr-item { grid-template-columns: 92px 1fr; }\n  .ebr-photo { height: 180px; }\n}\n\n<\/style>\n<div class=\"ebr-timeline\">\n\n  <header class=\"ebr-intro\">\n    <p class=\"ebr-intro__kicker\">\u00c9ditions Bourg\u00e8s R. \u2014 depuis 1997<\/p>\n    <h1>Chroniques d\u2019une aventure musicale<\/h1>\n    <p class=\"ebr-intro__quote\">\u00ab Qui damnum computat, lucrum non timet \u00bb<\/p>\n    <p class=\"ebr-intro__source\">(Qui calcule la perte ne craint jamais le gain \u2014 cit. P. Burg. Rupaltus)<\/p>\n    <p class=\"ebr-intro__text\">D\u00e8s leur cr\u00e9ation, les \u00c9ditions Bourg\u00e8s R. explorent sans cesse de nouveaux r\u00e9pertoires, anim\u00e9es par un esprit pionnier qui traverse toute leur aventure.<\/p>\n    <p class=\"ebr-intro__text\">Carnet de route I pr\u00e9figure Carnet de route II, r\u00e9cit plus complet.<br \/>Le parcours fut jalonn\u00e9 de nombreuses anecdotes et malveillances<br \/>volontairement ici laiss\u00e9es dans l\u2019ombre.<\/p>\n  <\/header>\n\n  <div class=\"ebr-rail\">\n\n    <div class=\"ebr-carnet\">\n      <div class=\"ebr-carnet__gutter\">\n        <span class=\"ebr-cap\"><\/span>\n        <span class=\"ebr-line\"><\/span>\n      <\/div>\n      <h2>Carnet de route 0<\/h2>\n    <\/div>\n\n    <div class=\"ebr-carnet ebr-carnet--photo\">\n      <div class=\"ebr-carnet__gutter ebr-carnet__gutter--label\">\n        <div class=\"ebr-title\">Valise \u00e0 outils<\/div>\n        <span class=\"ebr-dot\" style=\"top: calc(50% - 6.5px);\"><\/span>\n        <span class=\"ebr-line\"><\/span>\n      <\/div>\n      <a class=\"ebr-cv\" href=\"https:\/\/ebr.fr\/en\/qui-suis-je\/\">\n        <img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/elementor\/thumbs\/cv-vignette-carnets-route-rsyqld71cpq3wvkkkr2j5aiq48fdm8twg05fp80ugq.png\" alt=\"Patrice Bourg\u00e8s-Rouhaut \u2014 CV\" \/>\n      <\/a>\n    <\/div>\n\n    <div class=\"ebr-carnet\">\n      <div class=\"ebr-carnet__gutter\">\n        <span class=\"ebr-line\"><\/span>\n      <\/div>\n      <h2>Carnet de route 1<\/h2>\n    <\/div>\n\n    <article class=\"ebr-item\">\n      <div class=\"ebr-gutter\">\n        <div class=\"ebr-year\">1997<span class=\"ebr-dot\"><\/span><\/div>\n        <div class=\"ebr-title\">Blank page<\/div>\n        <span class=\"ebr-line\"><\/span>\n      <\/div>\n      <div class=\"ebr-content\">\n        <p>On the initiative of Val\u00e9rie Rault, co-founder, a university project in children's publishing becomes reality. \u00c9ditions musicales Bourg\u00e8s Rault is born, along with a first collection of piano sheet music.<\/p>\n      <div class=\"ebr-media ebr-media--single\">\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/1997-1-scaled.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/1997-1-scaled.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n      <\/div>\n      <\/div>\n    <\/article>\n    <article class=\"ebr-item\">\n      <div class=\"ebr-gutter\">\n        <div class=\"ebr-year\">1998<span class=\"ebr-dot\"><\/span><\/div>\n        <div class=\"ebr-title\">CrocK MusiC, Comptine &amp; tragedy<\/div>\n        <span class=\"ebr-line\"><\/span>\n      <\/div>\n      <div class=\"ebr-content\">\n        <p>In collaboration with Armelle Cocheril, creation of the CrocK MusiC (French songs) and Comptine (traditional nursery rhymes) collections, the first piano scores graded by level of difficulty.<\/p>\n        <p>Signature du premier contrat d\u2019autorisation de reproduction graphique. Premi\u00e8res ventes \u00e0 la librairie musicale Lignerolles (Bordeaux).<\/p>\n        <p>The year is marked by the sudden death of Val\u00e9rie Rault at the age of 28: \u00c9ditions Bourg\u00e8s Rault becomes \u00c9ditions Bourg\u00e8s R.<\/p>\n      <div class=\"ebr-media\">\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/1998.jpeg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/1998.jpeg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/1998a.jpeg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/1998a.jpeg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/1998b.jpeg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/1998b.jpeg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/1998-4.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/1998-4.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n      <\/div>\n      <\/div>\n    <\/article>\n    <article class=\"ebr-item\">\n      <div class=\"ebr-gutter\">\n        <div class=\"ebr-year\">1999<span class=\"ebr-dot\"><\/span><\/div>\n        <div class=\"ebr-title\">Musicora, Tiersen &amp; Nicole<\/div>\n        <span class=\"ebr-line\"><\/span>\n      <\/div>\n      <div class=\"ebr-content\">\n        <p>Participation remarqu\u00e9e au salon Musicora (La Villette, Paris) : les transcriptions CrocK MusiC s\u00e9duisent public et professionnels. Premier contrat de distribution avec ID Music et Antoine Wright, acteur majeur du d\u00e9veloppement des \u00c9ditions \u00e0 leurs d\u00e9buts.<\/p>\n        <p>La rencontre avec une photocopieuse conduit \u00e0 la d\u00e9couverte de l\u2019album Rue des cascades de Yann Tiersen. Six pi\u00e8ces pour piano sont publi\u00e9es dans un premier recueil imagin\u00e9 par le graphiste David Gimenez (Bordeaux). L\u2019accueil glacial du distributeur annonce un \u00e9chec commercial \u2014 l\u2019\u00e9chec se confirme.<\/p>\n        <p>Sous les encouragements de Nicole Gu\u00e9rin (\u00c9ditions Pilotis) et gr\u00e2ce aux bonnes ventes du titre Lucie, le recueil CrocK MusiC Volume 1 \u00ab Sp\u00e9cial Obispo \u00bb ouvre la s\u00e9rie des Volumes 1 \u00e0 6.<\/p>\n      <div class=\"ebr-media\">\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/1999a.jpeg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/1999a.jpeg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/1999b.jpeg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/1999b.jpeg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/1999c.jpeg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/1999c.jpeg\" alt=\"\" loading=\"lazy\" \/><\/button>\n      <\/div>\n      <\/div>\n    <\/article>\n    <article class=\"ebr-item\">\n      <div class=\"ebr-gutter\">\n        <div class=\"ebr-year\">2000<span class=\"ebr-dot\"><\/span><\/div>\n        <div class=\"ebr-title\">www.ebr.fr or the discord<\/div>\n        <span class=\"ebr-line\"><\/span>\n      <\/div>\n      <div class=\"ebr-content\">\n        <p>Avec la d\u00e9couverte d\u2019internet quatre ans plus t\u00f4t au Canada, lancement d\u2019un site de vente en ligne pionnier dans l\u2019\u00e9dition musicale, cr\u00e9\u00e9 par la soci\u00e9t\u00e9 bordelaise Model-fx : distributeurs et (certains) libraires d\u00e9noncent la vente directe comme une pratique scandaleuse.<\/p>\n        <p>Deux succ\u00e8s \u00e0 venir balaient la discorde. www.ebr.fr est mis en ligne l\u2019ann\u00e9e m\u00eame de l\u2019arriv\u00e9e en France du cancer \u00e9conomique Amazon.<\/p>\n      <div class=\"ebr-media ebr-media--single\">\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/ebr2000.jpeg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/ebr2000.jpeg\" alt=\"\" loading=\"lazy\" \/><\/button>\n      <\/div>\n      <\/div>\n    <\/article>\n    <article class=\"ebr-item\">\n      <div class=\"ebr-gutter\">\n        <div class=\"ebr-year\">2001<span class=\"ebr-dot\"><\/span><\/div>\n        <div class=\"ebr-title\">Prague and Am\u00e9lie<\/div>\n        <span class=\"ebr-line\"><\/span>\n      <\/div>\n      <div class=\"ebr-content\">\n        <p>Charles Besmaine (agent de Yann Tiersen) sugg\u00e8re de rattraper l\u2019\u00e9chec du premier recueil par un second. Yann Tiersen \u2013 6 pi\u00e8ces pour piano Volume 2 para\u00eet au moment de la sortie du Fabuleux Destin d\u2019Am\u00e9lie Poulain : le recueil devient mondialement populaire comme celui des partitions du film.<\/p>\n        <p>At the same time, Antoine Wright propels sales of the songbook CrocK MusiC Volume 2 beyond all expectations.<\/p>\n        <p>D\u00e9part de Bordeaux pour Br\u00e9tigny-sur-Orge avec Armelle Cocheril, tandis que le c\u0153ur des \u00c9ditions s\u2019installe \u00e0 Prague o\u00f9 na\u00eet un autre succ\u00e8s, Le Song Book de R\u00e9mi. Premi\u00e8re rencontre \u00e0 Paris avec la start-up di-arezzo.com.<\/p>\n      <div class=\"ebr-media\">\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2001-1.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2001-1.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2001-2-scaled.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2001-2-scaled.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2001-3-scaled.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2001-3-scaled.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2001-4-scaled.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2001-4-scaled.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n      <\/div>\n      <\/div>\n    <\/article>\n    <article class=\"ebr-item\">\n      <div class=\"ebr-gutter\">\n        <div class=\"ebr-year\">2002<span class=\"ebr-dot\"><\/span><\/div>\n        <div class=\"ebr-title\">Lenin<\/div>\n        <span class=\"ebr-line\"><\/span>\n      <\/div>\n      <div class=\"ebr-content\">\n        <p>The \u00c9ditions adapt as best they can to the brutal changes in the business.<\/p>\n        <p>En fin d\u2019ann\u00e9e et dans l\u2019urgence, les partitions n\u00e9cessaires \u00e0 l\u2019enregistrement orchestral de la musique du film Good bye Lenin ! sont cr\u00e9\u00e9es : relev\u00e9s audio, gravure, mise en page, impression \u2014 le mat\u00e9riel est livr\u00e9 in extremis pour la session.<\/p>\n        <p>With Good Bye Lenin! both the collaboration with Yann Tiersen and the Prague interlude come to an end.<\/p>\n      <div class=\"ebr-media ebr-media--single\">\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2002.jpeg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2002.jpeg\" alt=\"\" loading=\"lazy\" \/><\/button>\n      <\/div>\n      <\/div>\n    <\/article>\n    <article class=\"ebr-item\">\n      <div class=\"ebr-gutter\">\n        <div class=\"ebr-year\">2003<span class=\"ebr-dot\"><\/span><\/div><div class=\"ebr-year\">2004<span class=\"ebr-dot\"><\/span><\/div><span class=\"ebr-period\"><\/span>\n        <div class=\"ebr-title\">Le presbyt\u00e8re, note4piano &amp; Squiban<\/div>\n        <span class=\"ebr-line\"><\/span>\n      <\/div>\n      <div class=\"ebr-content\">\n        <p>Settling into the presbytery of Santeuil (28) brings a stability conducive to launching new projects, faithful to an editorial line that takes shape through encounters.<\/p>\n        <p>La singularit\u00e9 musicale de Didier Squiban ouvre un r\u00e9pertoire m\u00ealant musique bretonne, jazz et romantisme classique : De balades en ballades, rythm\u00e9 par les photographies de Michel Thersiquel, est cr\u00e9\u00e9 en collaboration directe avec l\u2019artiste.<\/p>\n        <p>Fortes de l\u2019exp\u00e9rience Di-Arezzo, les \u00c9ditions imaginent note4piano.com et note-guitare.com avec Victor R\u00e9ny. Deux collections voient le jour : In Edit et Anacrouse.<\/p>\n      <div class=\"ebr-media\">\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2003-2004-1-scaled.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2003-2004-1-scaled.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2003-2004-2.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2003-2004-2.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2003-2004-3.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2003-2004-3.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2003-2004-4.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2003-2004-4.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n      <\/div>\n      <\/div>\n    <\/article>\n    <article class=\"ebr-item\">\n      <div class=\"ebr-gutter\">\n        <div class=\"ebr-year\">2005<span class=\"ebr-dot\"><\/span><\/div>\n        <div class=\"ebr-title\">Perrone &amp; Les Films Jack F\u00e9bus<\/div>\n        <span class=\"ebr-line\"><\/span>\n      <\/div>\n      <div class=\"ebr-content\">\n        <p>\u00c0 travers un parcours foisonnant, Marc Perrone a offert une v\u00e9ritable renaissance \u00e0 l\u2019accord\u00e9on diatonique. \u00ab Treize \u00e0 la douzaine \u00bb, illustr\u00e9 par Jacky Li\u00e9geois, concr\u00e9tise une rencontre faite en 1999 au festival d\u2019Uzeste. \u00ab \u00c9ph\u00e9m\u00e8re passion \u00bb suivra en 2008, accompagn\u00e9 d\u2019un documentaire de Michel Coqblin.<\/p>\n        <p>Les \u00c9ditions Bourg\u00e8s R. s\u2019engagent dans le sauvetage des Films Jack F\u00e9bus, sans savoir que cette aventure allait ouvrir l\u2019une des plus belles pages de leur histoire.<\/p>\n      <div class=\"ebr-media\">\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2005-1-scaled.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2005-1-scaled.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2005-2-scaled.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2005-2-scaled.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n      <\/div>\n      <\/div>\n    <\/article>\n    <article class=\"ebr-item\">\n      <div class=\"ebr-gutter\">\n        <div class=\"ebr-year\">2006<span class=\"ebr-dot\"><\/span><\/div>\n        <div class=\"ebr-title\">Gonzo<\/div>\n        <span class=\"ebr-line\"><\/span>\n      <\/div>\n      <div class=\"ebr-content\">\n        <p>Lors d\u2019un rendez-vous des Films Jack F\u00e9bus, une discussion avec Chilly Gonzales autour de \u00ab Novecento : pianiste \u00bb lance des projets audiovisuels et le recueil Solo Piano I. Une fois encore, les pr\u00e9dictions d\u2019\u00e9chec du distributeur se confirment.<\/p>\n        <p>Tout change avec l\u2019utilisation de certaines pi\u00e8ces dans la publicit\u00e9 et le talent de sc\u00e8ne de l\u2019entertainer : Solo Piano I devient Solo Piano I \u2013 Volume 1, suivi du Volume 2 (2008), de Solo Piano II (2012) et Solo Piano III (2018).<\/p>\n        <p>L\u2019activit\u00e9 artistique d\u00e9bordante ne suffit pas \u00e0 expliquer la dur\u00e9e de cette collaboration : elle repose autant sur une exigence artistique partag\u00e9e que sur l\u2019\u00e9nergie d\u2019une \u00e9quipe attentive aupr\u00e8s du Musical Genius.<\/p>\n      <div class=\"ebr-media\">\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2006a.jpeg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2006a.jpeg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2006b.jpeg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2006b.jpeg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2006c.jpeg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2006c.jpeg\" alt=\"\" loading=\"lazy\" \/><\/button>\n      <\/div>\n      <\/div>\n    <\/article>\n    <article class=\"ebr-item\">\n      <div class=\"ebr-gutter\">\n        <div class=\"ebr-year\">2009<span class=\"ebr-dot\"><\/span><\/div><div class=\"ebr-year\">2011<span class=\"ebr-dot\"><\/span><\/div><span class=\"ebr-period\"><\/span>\n        <div class=\"ebr-title\">The escape to Kenitra<\/div>\n        <span class=\"ebr-line\"><\/span>\n      <\/div>\n      <div class=\"ebr-content\">\n        <p>Le c\u0153ur des \u00c9ditions s\u2019installe au Maroc pour trois ans, pendant qu\u2019Am\u00e9lie Le Guellanff, bras droit des \u00c9ditions, g\u00e8re l\u2019activit\u00e9 croissante depuis le presbyt\u00e8re de Santeuil.<\/p>\n        <p>Tous les projets marocains connaissent l\u2019\u00e9chec. Un ultime projet audiovisuel sur place marque la fin des relations avec les Films Jack F\u00e9bus, alors revenus \u00e0 leur meilleure forme.<\/p>\n      <div class=\"ebr-media ebr-media--single\">\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2009-2011.jpeg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2009-2011.jpeg\" alt=\"\" loading=\"lazy\" \/><\/button>\n      <\/div>\n      <\/div>\n    <\/article>\n    <article class=\"ebr-item\">\n      <div class=\"ebr-gutter\">\n        <div class=\"ebr-year\">2013<span class=\"ebr-dot\"><\/span><\/div>\n        <div class=\"ebr-title\">Lignerolles<\/div>\n        <span class=\"ebr-line\"><\/span>\n      <\/div>\n      <div class=\"ebr-content\">\n        <p>Malgr\u00e9 tous les efforts, les r\u00eaves et les espoirs, le projet de reprise de la librairie musicale Lignerolles, en hypercentre de Bordeaux, n\u2019aboutit pas.<\/p>\n      <div class=\"ebr-media\">\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2013-1-scaled.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2013-1-scaled.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2013-2-scaled.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2013-2-scaled.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n      <\/div>\n      <\/div>\n    <\/article>\n    <article class=\"ebr-item\">\n      <div class=\"ebr-gutter\">\n        <div class=\"ebr-year\">2014<span class=\"ebr-dot\"><\/span><\/div>\n        <div class=\"ebr-title\">The \u00c9tudes &amp; Weezic<\/div>\n        <span class=\"ebr-line\"><\/span>\n      <\/div>\n      <div class=\"ebr-content\">\n        <p>Ma\u00eetre Jean Martin (Paris) cl\u00f4t avec succ\u00e8s une s\u00e9rie de proc\u00e8s en cours depuis plusieurs ann\u00e9es, dont celui contre Universal.<\/p>\n        <p>Sous la pression de la demande, Chilly Gonzales cr\u00e9e \u00ab Re-introduction Etudes \u00bb (illustrations Nina Rhode) : des miniatures pour piano originales et accessibles. Toute son \u00e9quipe s\u2019investit pleinement dans le projet \u2014 le livre, remarquable, conna\u00eet un vrai succ\u00e8s.<\/p>\n        <p>Les pi\u00e9cettes de jazz de \u00ab Little Blues Hands \u00bb (Philippe Lecointre, pr\u00e9face d\u2019Erik Orsenna) deviennent le mat\u00e9riel de d\u00e9monstration de la start-up Weezic, inventeurs de la partition augment\u00e9e. L\u2019aventure s\u2019interrompt avec la vente de Weezic, mais ouvre de nouvelles perspectives cr\u00e9atives.<\/p>\n      <div class=\"ebr-media\">\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2014-1.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2014-1.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2014-2-scaled.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2014-2-scaled.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2014-3.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2014-3.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2014-4.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2014-4.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2014-5.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2014-5.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2014-6.png\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2014-6.png\" alt=\"\" loading=\"lazy\" \/><\/button>\n      <\/div>\n      <\/div>\n    <\/article>\n    <article class=\"ebr-item\">\n      <div class=\"ebr-gutter\">\n        <div class=\"ebr-year\">2015<span class=\"ebr-dot\"><\/span><\/div>\n        <div class=\"ebr-title\">M\u00e9lodie<\/div>\n        <span class=\"ebr-line\"><\/span>\n      <\/div>\n      <div class=\"ebr-content\">\n        <p>La comp\u00e9tence et l\u2019expertise de M\u00e9lodie Medam (Musicale \u00c9criture) permettent aux \u00c9ditions Bourg\u00e8s R. d\u2019acc\u00e9der au statut d\u2019\u00e9diteur SACEM. Les deux structures s\u2019associent dans la gestion de cette activit\u00e9.<\/p>\n      <\/div>\n    <\/article>\n    <article class=\"ebr-item\">\n      <div class=\"ebr-gutter\">\n        <div class=\"ebr-year\">2016<span class=\"ebr-dot\"><\/span><\/div>\n        <div class=\"ebr-title\">hazen &amp; Petit Malabar<\/div>\n        <span class=\"ebr-line\"><\/span>\n      <\/div>\n      <div class=\"ebr-content\">\n        <p>La soci\u00e9t\u00e9 de distribution hazenArt est cr\u00e9\u00e9e sous l\u2019impulsion d\u2019Oksana Ryhun. Elle assure la distribution des recueils, l\u2019ensemble de l\u2019activit\u00e9 v\u00e9p\u00e9ciste et la cr\u00e9ation d\u2019accessoires de musique.<\/p>\n        <p>Matthieu Li\u00e9geois, graphiste des premi\u00e8res heures, propose la gestion du catalogue musical du studio d\u2019animation Tchack (Lille) : la musique de la s\u00e9rie \u00ab Petit Malabar \u00bb (Fred Pallem) marque le d\u00e9but de cette collaboration.<\/p>\n      <div class=\"ebr-media\">\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2016-1.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2016-1.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2016b.jpeg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2016b.jpeg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2016a.jpeg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2016a.jpeg\" alt=\"\" loading=\"lazy\" \/><\/button>\n      <\/div>\n      <\/div>\n    <\/article>\n    <article class=\"ebr-item\">\n      <div class=\"ebr-gutter\">\n        <div class=\"ebr-year\">2017<span class=\"ebr-dot\"><\/span><\/div>\n        <div class=\"ebr-title\">I.D. Music<\/div>\n        <span class=\"ebr-line\"><\/span>\n      <\/div>\n      <div class=\"ebr-content\">\n        <p>The disappearance of I.D. Music (Antoine Wright) deprives the \u00c9ditions of their historic distributor. A new page opens with Music Sales, then in 2020 with Hal Leonard after the takeover of the British company. Nothing will ever be the same again.<\/p>\n      <div class=\"ebr-media\">\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2017-1.png\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2017-1.png\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2017-2.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2017-2.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2017-3-1.png\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2017-3-1.png\" alt=\"\" loading=\"lazy\" \/><\/button>\n      <\/div>\n      <\/div>\n    <\/article>\n    <article class=\"ebr-item\">\n      <div class=\"ebr-gutter\">\n        <div class=\"ebr-year\">2018<span class=\"ebr-dot\"><\/span><\/div>\n        <div class=\"ebr-title\">Toulouse<\/div>\n        <span class=\"ebr-line\"><\/span>\n      <\/div>\n      <div class=\"ebr-content\">\n        <p>Les \u00c9ditions quittent le presbyt\u00e8re de Santeuil pour Toulouse, o\u00f9 est cr\u00e9\u00e9 \u00ab CrocK MusiC Volume 6 \u00bb, dernier opus de la collection. La priorit\u00e9 est donn\u00e9e \u00e0 l\u2019acquisition d\u2019un local commercial en hypercentre, afin de retrouver la stabilit\u00e9 et, sans doute, d\u2019effacer les regrets li\u00e9s au projet Lignerolles.<\/p>\n      <div class=\"ebr-media\">\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2018d.jpeg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2018d.jpeg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2018e.jpeg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2018e.jpeg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2018c.jpeg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2018c.jpeg\" alt=\"\" loading=\"lazy\" \/><\/button>\n      <\/div>\n      <\/div>\n    <\/article>\n    <article class=\"ebr-item\">\n      <div class=\"ebr-gutter\">\n        <div class=\"ebr-year\">2021<span class=\"ebr-dot\"><\/span><\/div>\n        <div class=\"ebr-title\">Covid &amp; Paradoux<\/div>\n        <span class=\"ebr-line\"><\/span>\n      <\/div>\n      <div class=\"ebr-content\">\n        <p>Despite four months stranded in Ukraine because of the COVID epidemic, the two companies record good sales and end the year with a singular publishing coup.<\/p>\n        <p>Apr\u00e8s plusieurs tentatives infructueuses, les \u00c9ditions s\u2019installent au 20, rue des Paradoux, au c\u0153ur du centre historique toulousain. \u00c0 deux pas des stocks, cette logistique r\u00e9duite remet la cr\u00e9ation au premier plan, loin de la pression d\u2019une commercialisation intensive.<\/p>\n      <div class=\"ebr-media\">\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2021-1-1-scaled.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2021-1-1-scaled.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2021-2-1-scaled.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2021-2-1-scaled.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2021-3-1.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2021-3-1.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n      <\/div>\n      <\/div>\n    <\/article>\n    <article class=\"ebr-item\">\n      <div class=\"ebr-gutter\">\n        <div class=\"ebr-year\">2022<span class=\"ebr-dot\"><\/span><\/div>\n        <div class=\"ebr-title\">Slava Ukra\u00efni<\/div>\n        <span class=\"ebr-line\"><\/span>\n      <\/div>\n      <div class=\"ebr-content\">\n        <p>Oksana Ryhun (SAS hazenArt) part le 23 f\u00e9vrier 2022 soutenir son pays, pendant que le 20 rue des Paradoux s\u2019anime de familles, de drones et d\u2019amis ukrainiens. L\u2019activit\u00e9 professionnelle s\u2019efface devant d\u2019autres urgences et d\u2019autres priorit\u00e9s.<\/p>\n      <div class=\"ebr-media ebr-media--hero\">\n        <button class=\"ebr-photo ebr-photo--hero\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2022c.jpeg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2022c.jpeg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <div class=\"ebr-strip\">\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2022e.jpeg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2022e.jpeg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2022d.jpeg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2022d.jpeg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2022f.jpeg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2022f.jpeg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <\/div>\n      <\/div>\n      <\/div>\n    <\/article>\n    <article class=\"ebr-item\">\n      <div class=\"ebr-gutter\">\n        <div class=\"ebr-year\">2023<span class=\"ebr-dot\"><\/span><\/div><div class=\"ebr-year\">2024<span class=\"ebr-dot\"><\/span><\/div><span class=\"ebr-period\"><\/span>\n        <div class=\"ebr-title\">Semi-coma<\/div>\n        <span class=\"ebr-line\"><\/span>\n      <\/div>\n      <div class=\"ebr-content\">\n        <p>De retour d\u2019Ukraine, hazenArt perd sa pr\u00e9sidente, partie vers de nouvelles aventures. Le catalogue s\u2019\u00e9largit encore, mais les difficult\u00e9s de toutes sortes et les ventes absorbent la totalit\u00e9 de l\u2019activit\u00e9.<\/p>\n        <p>La collection \u00ab \u00c0 4 mains \u00bb, co\u00e9crite par Armelle Cocheril et Patrice Bourg\u00e8s Rouhaut, n\u00e9cessite et stimule la cr\u00e9ation d\u2019un laboratoire musical : un espace d\u2019\u00e9change et d\u2019id\u00e9es o\u00f9 est stock\u00e9e et r\u00e9invent\u00e9e toute l\u2019exp\u00e9rience acquise depuis 1997.<\/p>\n        <p>L\u2019\u00e9volution de l\u2019\u00e9dition musicale conduit au d\u00e9veloppement d\u2019un catalogue digital, d\u00e9ploy\u00e9 progressivement avec quickpartitions.com. \u00ab Tico \u00bb, le m\u00e9tronome des \u00c9ditions d\u00e9velopp\u00e9 par Bohdan Muzyka, donne le rythme \u00e0 la future orientation p\u00e9dagogique du laboratoire.<\/p>\n      <div class=\"ebr-media\">\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2023-2024-1.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2023-2024-1.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2023-2024-2.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2023-2024-2.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2023-2024-3.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2023-2024-3.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2026\/09\/2024-tico-google-play-2.png\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2026\/09\/2024-tico-google-play-2.png\" alt=\"\" loading=\"lazy\" \/><\/button>\n      <\/div>\n      <\/div>\n    <\/article>\n    <article class=\"ebr-item\">\n      <div class=\"ebr-gutter\">\n        <div class=\"ebr-year\">2025<span class=\"ebr-dot\"><\/span><\/div>\n        <div class=\"ebr-title\">C\u00e9sar et Oktav<\/div>\n        <span class=\"ebr-line\"><\/span>\n      <\/div>\n      <div class=\"ebr-content\">\n        <p>Le catalogue digital rejoint OKTAV (Autriche) pour une distribution plus internationale. Rencontre et d\u00e9but de collaboration avec le pianiste C\u00e9sar de Gurbert.<\/p>\n        <p>D\u00e9cision de cr\u00e9er un nouveau site internet proposant le catalogue digital avec panier mixte et le canal d\u2019entr\u00e9e de la m\u00e9thode. Le \u00ab laboratoire musical \u00bb est d\u00e9sormais pleinement op\u00e9rationnel.<\/p>\n      <div class=\"ebr-media\">\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2025b.jpeg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2025b.jpeg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2025c.jpeg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2025\/12\/2025c.jpeg\" alt=\"\" loading=\"lazy\" \/><\/button>\n      <\/div>\n      <\/div>\n    <\/article>\n    <article class=\"ebr-item\">\n      <div class=\"ebr-gutter\">\n        <div class=\"ebr-year\">2026<span class=\"ebr-dot\"><\/span><\/div>\n        <div class=\"ebr-title\">Megalomania<\/div>\n        <span class=\"ebr-line\"><\/span>\n      <\/div>\n      <div class=\"ebr-content\">\n        <p>Apr\u00e8s l\u2019installation au 20 rue des Paradoux et la mise en place du laboratoire musical, l\u2019acquisition d\u2019un local de stockage dans le centre-ville de Toulouse vient parachever cette qu\u00eate de stabilit\u00e9.<\/p>\n        <p>Tout est pr\u00eat, tout est en place pour accomplir ce qu\u2019il reste \u00e0 faire \u00e0 cette \u00e9tape de l\u2019aventure : \u00ab la \u00bb m\u00e9thode de piano des \u00c9ditions Bourg\u00e8s R., mi-physique, mi-digitale, participative, universelle, \u00e9volutive, intemporelle. Immortelle.<\/p>\n        <p>Il faut croire \u00e0 tout cela. Vraiment y croire, pour au moins commencer l\u2019\u00e9pop\u00e9e.<\/p>\n        <p>Mise en ligne du nouveau site des \u00c9ditions Bourg\u00e8s R., apr\u00e8s un retard d\u00fb \u00e0 un hiver difficile pass\u00e9 \u00e0 Kyiv.<\/p>\n      <div class=\"ebr-media\">\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2026\/09\/2026-partition-little-malabar-scaled.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2026\/09\/2026-partition-little-malabar-scaled.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2026\/09\/2026-instagram-little-malabar.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2026\/09\/2026-instagram-little-malabar.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n        <button class=\"ebr-photo\" type=\"button\" data-src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2026\/09\/2026-kyiv.jpg\"><img decoding=\"async\" src=\"https:\/\/ebr.fr\/wp-content\/uploads\/2026\/09\/2026-kyiv.jpg\" alt=\"\" loading=\"lazy\" \/><\/button>\n      <\/div>\n      <\/div>\n    <\/article>\n\n  <\/div>\n\n  \n<\/div>\n\n<div class=\"ebr-lightbox\" id=\"ebr-lightbox\" aria-hidden=\"true\">\n  <div class=\"ebr-lightbox__blur\"><\/div>\n  <img class=\"ebr-lightbox__img\" alt=\"\">\n  <button class=\"ebr-lightbox__close\" type=\"button\" aria-label=\"Fermer\">\u00d7<\/button>\n<\/div>\n\n<script>\n(function () {\n  var box = document.getElementById('ebr-lightbox');\n  var blur = box.querySelector('.ebr-lightbox__blur');\n  var view = box.querySelector('.ebr-lightbox__img');\n  document.querySelectorAll('.ebr-photo').forEach(function (btn) {\n    btn.addEventListener('click', function () {\n      var url = btn.getAttribute('data-src');\n      blur.style.backgroundImage = 'url(\"' + url + '\")';\n      view.src = url;\n      box.classList.add('is-open');\n      box.setAttribute('aria-hidden', 'false');\n    });\n  });\n  function close() { box.classList.remove('is-open'); box.setAttribute('aria-hidden', 'true'); }\n  box.addEventListener('click', close);\n  document.addEventListener('keydown', function (e) { if (e.key === 'Escape') close(); });\n})();\n<\/script><script>\n(function(){\n  function ebrApplyEnglish(){\n    if (!document.documentElement.lang || !document.documentElement.lang.toLowerCase().startsWith('en')) return;\n\n    var intro = document.querySelector('.ebr-intro');\n    if (intro) {\n      var kicker = intro.querySelector('.ebr-intro__kicker');\n      if (kicker) kicker.textContent = '\u00c9ditions Bourg\u00e8s R. \u2014 since 1997';\n      var h1 = intro.querySelector('h1');\n      if (h1) h1.textContent = 'Chronicles of a musical adventure';\n      var source = intro.querySelector('.ebr-intro__source');\n      if (source) source.textContent = '(He who counts the loss never fears the gain \u2014 quoting P. Burg. Rupaltus)';\n      var texts = intro.querySelectorAll('.ebr-intro__text');\n      if (texts[0]) texts[0].textContent = 'From their creation, \u00c9ditions Bourg\u00e8s R. have never ceased exploring new repertoires, driven by a pioneering spirit that runs through their whole adventure.';\n      if (texts[1]) texts[1].innerHTML = 'Carnet de route I foreshadows Carnet de route II, a fuller account.<br>The journey was marked by many anecdotes and acts of malice,<br>deliberately left here in the shadows.';\n    }\n\n    var photoTitle = document.querySelector('.ebr-carnet--photo .ebr-title');\n    if (photoTitle && photoTitle.textContent.trim() === 'Valise \u00e0 outils') {\n      photoTitle.textContent = 'Toolbox';\n    }\n\n    var entries = [\n      { title: 'Blank page', paras: [\n        'On the initiative of Val\u00e9rie Rault, co-founder, a university project in children\u2019s publishing becomes reality. \u00c9ditions musicales Bourg\u00e8s Rault is born, along with a first collection of piano sheet music.'\n      ]},\n      { title: 'CrocK MusiC, Comptine & tragedy', paras: [\n        'In collaboration with Armelle Cocheril, creation of the CrocK MusiC (French songs) and Comptine (traditional nursery rhymes) collections: first piano sheet music graded by level of difficulty.',\n        'The first graphic reproduction licensing agreement is signed. First sales at the Lignerolles music shop (Bordeaux).',\n        'The year is marked by the sudden death of Val\u00e9rie Rault at the age of 28: \u00c9ditions Bourg\u00e8s Rault becomes \u00c9ditions Bourg\u00e8s R.'\n      ]},\n      { title: 'Musicora, Tiersen & Nicole', paras: [\n        'A noted appearance at the Musicora trade fair (La Villette, Paris): the CrocK MusiC transcriptions win over the public and professionals alike. First distribution agreement with ID Music and Antoine Wright, a key figure in the \u00c9ditions\u2019 early development.',\n        'An encounter with a photocopier leads to the discovery of Yann Tiersen\u2019s album Rue des cascades. Six piano pieces are published in a first songbook designed by graphic artist David Gimenez (Bordeaux). The distributor\u2019s icy reception heralds a commercial failure \u2014 the failure is confirmed.',\n        'Encouraged by Nicole Gu\u00e9rin (\u00c9ditions Pilotis) and thanks to the good sales of the title Lucie, the songbook CrocK MusiC Volume 1 \"Sp\u00e9cial Obispo\" opens the series of Volumes 1 to 6.'\n      ]},\n      { title: 'www.ebr.fr, or discord', paras: [\n        'Having discovered the internet four years earlier in Canada, launch of a pioneering online sales site in music publishing, created by the Bordeaux company Model-fx: distributors and (some) booksellers denounce direct selling as a scandalous practice.',\n        'Two upcoming successes sweep the discord away. www.ebr.fr goes online the very year the economic cancer Amazon arrives in France.'\n      ]},\n      { title: 'Prague and Am\u00e9lie', paras: [\n        'Charles Besmaine (Yann Tiersen\u2019s agent) suggests making up for the failure of the first songbook with a second. Yann Tiersen \u2013 6 pi\u00e8ces pour piano Volume 2 is released at the same time as Le Fabuleux Destin d\u2019Am\u00e9lie Poulain: the songbook becomes popular worldwide as the one containing the film\u2019s sheet music.',\n        'At the same time, Antoine Wright drives sales of the CrocK MusiC Volume 2 collection far beyond expectations.',\n        'Departure from Bordeaux for Br\u00e9tigny-sur-Orge with Armelle Cocheril, while the heart of the \u00c9ditions settles in Prague, where another success is born: Le Song Book de R\u00e9mi. First meeting in Paris with the start-up di-arezzo.com.'\n      ]},\n      { title: 'Lenin', paras: [\n        'The \u00c9ditions adapt as best they can to the sudden shift in activity.',\n        'At the end of the year, and as a matter of urgency, the scores needed for the orchestral recording of the music for the film Good bye Lenin! are created: audio transcription, engraving, layout, printing \u2014 the material is delivered in extremis for the session.',\n        'With Good bye Lenin!, both the collaboration with Yann Tiersen and the Prague interlude come to an end.'\n      ]},\n      { title: 'The presbytery, note4piano & Squiban', paras: [\n        'Settling into the presbytery of Santeuil brings a stability conducive to launching new projects, true to an editorial line that takes shape through encounters.',\n        'Didier Squiban\u2019s musical singularity opens up a repertoire blending Breton music, jazz and classical romanticism: De balades en ballades, punctuated by Michel Thersiquel\u2019s photographs, is created in direct collaboration with the artist.',\n        'Building on the Di-Arezzo experience, the \u00c9ditions devise note4piano.com and note-guitare.com with Victor R\u00e9ny. Two collections are born: In Edit and Anacrouse.'\n      ]},\n      { title: 'Perrone & Films Jack F\u00e9bus', paras: [\n        'Through a prolific career, Marc Perrone has given the diatonic accordion a true renaissance. \"Treize \u00e0 la douzaine\", illustrated by Jacky Li\u00e9geois, embodies an encounter made in 1999 at the Uzeste festival. \"\u00c9ph\u00e9m\u00e8re passion\" would follow in 2008, accompanied by a documentary by Michel Coqblin.',\n        '\u00c9ditions Bourg\u00e8s R. commits to rescuing Les Films Jack F\u00e9bus, without knowing that this adventure would open one of the finest chapters in its history.'\n      ]},\n      { title: 'Gonzo', paras: [\n        'During a meeting of Les Films Jack F\u00e9bus, a discussion with Chilly Gonzales about \"Novecento: pianiste\" launches audiovisual projects and the songbook Solo Piano I. Once again, the distributor\u2019s predictions of failure come true.',\n        'Everything changes with the use of certain pieces in advertising and the entertainer\u2019s talent on stage: Solo Piano I becomes Solo Piano I \u2013 Volume 1, followed by Volume 2 (2008), Solo Piano II (2012) and Solo Piano III (2018).',\n        'The overflowing artistic activity is not enough to explain the length of this collaboration: it rests as much on a shared artistic standard as on the energy of a team attentive to the Musical Genius.'\n      ]},\n      { title: 'The Kenitra escape', paras: [\n        'The heart of the \u00c9ditions settles in Morocco for three years, while Am\u00e9lie Le Guellanff, the \u00c9ditions\u2019 right hand, manages the growing business from the presbytery of Santeuil.',\n        'Every Moroccan project fails. A final audiovisual project on site marks the end of relations with Les Films Jack F\u00e9bus, by then back on top form.'\n      ]},\n      { title: 'Lignerolles', paras: [\n        'Despite all the efforts, dreams and hopes, the project to take over the Lignerolles music bookshop in the heart of Bordeaux does not come to fruition.'\n      ]},\n      { title: 'Les \u00c9tudes & Weezic', paras: [\n        'Ma\u00eetre Jean Martin (Paris) successfully closes a series of lawsuits that had been ongoing for several years, including the one against Universal.',\n        'Under pressure from demand, Chilly Gonzales creates \"Re-introduction Etudes\" (illustrations by Nina Rhode): original and accessible piano miniatures. His whole team throws itself fully into the project \u2014 the book, remarkable, is a real success.',\n        'The little jazz pieces of \"Little Blues Hands\" (Philippe Lecointre, with a preface by Erik Orsenna) become the demonstration material for the start-up Weezic, inventors of the augmented score. The adventure comes to an end with the sale of Weezic, but opens up new creative prospects.'\n      ]},\n      { title: 'M\u00e9lodie', paras: [\n        'The skill and expertise of M\u00e9lodie Medam (Musicale \u00c9criture) enable \u00c9ditions Bourg\u00e8s R. to obtain SACEM publisher status. The two organisations join forces to manage this activity.'\n      ]},\n      { title: 'hazen & Petit Malabar', paras: [\n        'The distribution company hazenArt is created at the instigation of Oksana Ryhun. It handles the distribution of the songbooks, the whole mail-order business and the creation of music accessories.',\n        'Matthieu Li\u00e9geois, graphic designer from the earliest days, offers the management of the music catalogue of the animation studio Tchack (Lille): the music of the series \"Petit Malabar\" (Fred Pallem) marks the start of this collaboration.'\n      ]},\n      { title: 'I.D. Music', paras: [\n        'The demise of I.D. Music (Antoine Wright) leaves the \u00c9ditions without their long-standing distributor. A new chapter opens with Music Sales, then in 2020 with Hal Leonard after the British company is bought out. Nothing will ever be quite the same.'\n      ]},\n      { title: 'Toulouse', paras: [\n        'The \u00c9ditions leave the presbytery of Santeuil for Toulouse, where \"CrocK MusiC Volume 6\", the latest opus in the collection, is created. Priority is given to acquiring commercial premises in the town centre, in order to regain stability and, no doubt, erase the regrets linked to the Lignerolles project.'\n      ]},\n      { title: 'Covid & Paradoux', paras: [\n        'Despite four months stranded in Ukraine because of the COVID epidemic, both companies post strong sales and close the year with a singular editorial coup.',\n        'After several unsuccessful attempts, the \u00c9ditions settle at 20, rue des Paradoux, in the heart of Toulouse\u2019s historic centre. A stone\u2019s throw from the stock, this reduced logistics set-up puts creation back in the foreground, far from the pressure of intensive marketing.'\n      ]},\n      { title: 'Slava Ukra\u00efni', paras: [\n        'Oksana Ryhun (SAS hazenArt) leaves on 23 February 2022 to support her country, while 20 rue des Paradoux comes alive with Ukrainian families, drones and friends. Professional activity gives way to other emergencies and other priorities.'\n      ]},\n      { title: 'Semi-coma', paras: [\n        'Back from Ukraine, hazenArt loses its president, who has left for new adventures. The catalogue continues to grow, but difficulties of all kinds and sales absorb the whole of the activity.',\n        'The \"\u00c0 4 mains\" collection, co-written by Armelle Cocheril and Patrice Bourg\u00e8s Rouhaut, requires and stimulates the creation of a music laboratory: a space for exchange and ideas where all the experience gained since 1997 is stored and reinvented.',\n        'The evolution of music publishing leads to the development of a digital catalogue, progressively rolled out with quickpartitions.com. \"Tico\", the \u00c9ditions\u2019 metronome developed by Bohdan Muzyka, sets the tempo for the laboratory\u2019s future educational direction.'\n      ]},\n      { title: 'C\u00e9sar and Oktav', paras: [\n        'The digital catalogue joins OKTAV (Austria) for wider international distribution. A meeting \u2014 and the start of a collaboration \u2014 with pianist C\u00e9sar de Gurbert.',\n        'Decision to build a new website offering the digital catalogue with a mixed cart, and the entry point for the method. The \"music laboratory\" is now fully operational.'\n      ]},\n      { title: 'Megalomania', paras: [\n        'After settling at 20 rue des Paradoux and setting up the musical laboratory, acquiring a storage space in downtown Toulouse crowns this quest for stability.',\n        'Everything is ready, everything is in place to accomplish what remains to be done at this stage of the adventure: \"the\" piano method from \u00c9ditions Bourg\u00e8s R. \u2014 half physical, half digital, participatory, universal, evolving, timeless. Immortal.',\n        'One has to believe in all of this. Truly believe it, if only to set the epic in motion.',\n        'The new \u00c9ditions Bourg\u00e8s R. website goes live, after a delay caused by a difficult winter spent in Kyiv.'\n      ]}\n    ];\n\n    var items = document.querySelectorAll('.ebr-item');\n    items.forEach(function(item, i){\n      var data = entries[i];\n      if (!data) return;\n      var titleEl = item.querySelector('.ebr-title');\n      if (titleEl) titleEl.textContent = data.title;\n      var paraEls = item.querySelectorAll('.ebr-content > p');\n      paraEls.forEach(function(p, j){\n        if (data.paras[j]) p.textContent = data.paras[j];\n      });\n    });\n  }\n\n  if (document.readyState === 'loading') {\n    document.addEventListener('DOMContentLoaded', ebrApplyEnglish);\n  } else {\n    ebrApplyEnglish();\n  }\n})();\n<\/script>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>@import url(&lsquo;https:\/\/fonts.googleapis.com\/css2?family=Oswald:wght@300;400;500;600&#038;family=Raleway:wght@300;400;500;600&#038;family=Big+Shoulders+Display:wght@600;800&#038;display=swap&rsquo;);<br \/>\n\/* ===== Frise \u00c9ditions Bourg\u00e8s R. \u2014 Rail nocturne =====================<br \/>\n   Couleurs : fond bleu nuit #05152b \u00b7 dates rose vif #FF5C93<br \/>\n   texte et cadres photo #d7e2ef \u00b7 titres blancs<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-fullwidth.php","meta":{"footnotes":""},"class_list":["post-1648","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ebr.fr\/en\/wp-json\/wp\/v2\/pages\/1648","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ebr.fr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ebr.fr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ebr.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ebr.fr\/en\/wp-json\/wp\/v2\/comments?post=1648"}],"version-history":[{"count":358,"href":"https:\/\/ebr.fr\/en\/wp-json\/wp\/v2\/pages\/1648\/revisions"}],"predecessor-version":[{"id":39101,"href":"https:\/\/ebr.fr\/en\/wp-json\/wp\/v2\/pages\/1648\/revisions\/39101"}],"wp:attachment":[{"href":"https:\/\/ebr.fr\/en\/wp-json\/wp\/v2\/media?parent=1648"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}