| Author(s) / Composer(s) Charles Gounod | |
| Language(s) |
French |
|---|---|
| Collection | |
| Publisher |
Editions Bourgès R. |
| Reference |
EBRA008 |
| ISBN/ISMN |
9790560150543 |
| Instrumentation |
Voice, Piano |
| Binding |
Stapled |
| Delivery method |
Digital format, Paper format |
| Publication date |
2005 |
| Weight (grams) |
100 |
| Format |
22,5 x 32 |
| Number of pages |
4 |
| Reference |
E108 |
Charles Gounod
Ave Maria Medium VoiceThe Anacrouse collection offers pianists, beginners and advanced alike, a wide choice of classical works from the Renaissance to the present day. It brings together major works of the repertoire as well as rarer pieces, and also offers transcriptions for piano solo or four hands, selected for their musical and educational interest. Each score, available individually, benefits from careful editorial work: a rigorously established musical text, clear and legible engraving, accompanied by a short biography of the composer and a note on the work.
Charles Gounod’s “Ave Maria” in F major is presented here in a key ideal for medium voices (mezzo-soprano or baritone). This range makes it possible to approach the work with a rounder, warmer vocal colour, offering excellent work on homogeneity of timbre and on managing the passage between registers. It is an essential piece for mastering legato singing and the deeply felt interpretation characteristic of French Romanticism.
Composed in 1852, this melody is in fact a brilliant superimposition: Gounod wrote his vocal line over the first Prelude of Johann Sebastian Bach’s Well-Tempered Clavier, composed more than a century earlier. This meeting between Baroque genius and French Romantic sensibility gave birth to a universal work whose spiritual power and melodic purity remain unequalled.
Ave Maria in F major - Medium voice

