Editions Bourgès R.

The Sleeping Beauty

Pyotr Ilyich Tchaikovsky

Back to previous page

Author(s) / Composer(s)

Pyotr Ilyich Tchaikovsky

Contributeur(s)

Piano 4 Hands transcription: Jean-François Pailler

Language(s)

French

Collection

Anacrouse

Publisher

Editions Bourgès R.

Reference

EBRA086

ISBN/ISMN

9790560151854

Instrumentation

Piano 4 Hands

Binding

Stapled

Delivery method

Digital format, Paper format

Publication date

2010

Weight (grams)

100

Format

22,5 x 32

Number of pages

12

Reference

E186

Pyotr Ilyich Tchaikovsky

The Sleeping Beauty
Add to favourites
UGS : E186 Category:

The Anacrouse collection offers pianists, beginners and advanced alike, a wide choice of classical works from the Renaissance to the present day. It brings together major works of the repertoire as well as rarer pieces, and also offers transcriptions for piano solo or four hands, selected for their musical and educational interest. Each score, available individually or in a songbook, benefits from careful editorial work: a rigorously established musical text, clear and legible engraving, accompanied by a short biography of the composer and a note on the work.

“The Sleeping Beauty” (Grande Valse), presented here in a piano four-hands transcription by Jean-François Pailler, is an ideal piece for working on breadth of gesture and melodic elegance. This title is taken from the reference songbook “8 Famous Classical Themes for Piano 4 Hands”, the first volume of the Anacrouse collection, which offers an interactive approach thanks to its 2 included CDs. For each work, three tracks are available: a reference version (Piano 4 hands), a track for practising the Piano 1 part (Piano 2 accompaniment alone) and a track for Piano 2 (Piano 1 accompaniment alone). This system allows the student to perfect rhythmic placement and synchronisation, even when practising alone.

Composed in 1889 by Pyotr Ilyich Tchaikovsky (1840-1893), this ballet is one of the summits of the Russian Romantic repertoire. The famous Act I waltz, adapted here, requires great complicity from the two pianists to convey the symphonic brilliance of the original. The challenge lies in the balance between the Secondo part, which must carry the dance with suppleness and dynamism, and the Primo part, which unfolds the melody with all the lyricism and grace characteristic of Tchaikovsky’s fairy-tale world.

The Sleeping Beauty