Editions Bourgès R.

The Blue Danube

Johann Strauss Jr

Back to previous page

Author(s) / Composer(s)

Johann Strauss Jr

Contributeur(s)

Piano 4 Hands transcription: Jean-François Pailler

Language(s)

French

Collection

Anacrouse

Publisher

Editions Bourgès R.

Reference

EBRA077

ISBN/ISMN

9790560151632

Instrumentation

Piano 4 Hands

Binding

Stapled

Delivery method

Digital format, Paper format

Publication date

2008

Weight (grams)

100

Format

22,5 x 32

Number of pages

16

Reference

E177

Johann Strauss Jr

The Blue Danube
Add to favourites
UGS : E177 Category:

The Anacrouse collection offers pianists, beginners and advanced alike, a wide choice of classical works from the Renaissance to the present day. It brings together major works of the repertoire as well as rarer pieces, and also offers transcriptions for piano solo or four hands, selected for their musical and educational interest. Each score, available individually, benefits from careful editorial work: a rigorously established musical text, clear and legible engraving, accompanied by a short biography of the composer and a note on the work.

“The Blue Danube” (in A major), presented here in a piano four-hands transcription by Jean-François Pailler, is an ideal study in triple-time sway and Viennese phrasing. This title is taken from the reference songbook “8 Famous Classical Themes for Piano 4 Hands”, the first volume of the Anacrouse collection, which offers an interactive approach thanks to its 2 included CDs. For each work, three tracks are available: a reference version (Piano 4 hands), a track for practising the Piano 1 part (Piano 2 accompaniment alone) and a track for Piano 2 (Piano 1 accompaniment alone). This system allows the student to perfect rhythmic placement and synchronisation, even when practising alone.

Composed in 1866 by Johann Strauss II (1825-1899), this waltz is without doubt the most famous in the world, to the point of having become Austria’s second national anthem. The challenge for the two pianists lies in the elegance of the waltz rhythm: the Secondo must provide a supple, stable foundation (the famous “oom-pah-pah”), while the Primo unfolds the melody with all the refinement and dynamic nuances needed to evoke the glitter of the Viennese salons.

The Blue Danube in A major